Rabu, 31 Agustus 2011

[W733.Ebook] Ebook Cultural Trauma: Slavery and the Formation of African American Identity (Cambridge Cultural Social Studies), by Ron (Author) on Dec-13-200

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  • Published on: 2001-12-13
  • Binding: Paperback

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Selasa, 23 Agustus 2011

[O941.Ebook] PDF Download The Bazaar of Bad Dreams: Stories, by Stephen King

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The Bazaar of Bad Dreams: Stories, by Stephen King

Now in a mass-market paperback premium edition—the instant #1 New York Times bestseller! Stephen King delivers an “outstanding” (USA TODAY) collection of stories, featuring revelatory autobiographical comments on when, why, and how he came to write (or rewrite) each story.

“I’ve made some things for you, Constant Reader. …Feel free to examine them, but please be careful. The best of them have teeth.”

Since Nightshift, published thirty-five years ago, Stephen King has dazzled an entire generation of readers with his genius as a prominent writer of short fiction. Now in his latest collection, he once again assembles a generous array of unforgettable, tantalizing tales—including those that, until recently, have never been published in a book (such as the story “Cookie Jar,” which is exclusive to this edition). There are thrilling connections between these works—themes of mortality, the afterlife, guilt, and what we would do differently if we could see into the future or correct the mistakes of the past. Magnificent, eerie, and utterly compelling, The Bazaar of Bad Dreams is one of Stephen King’s finest gifts to readers everywhere—a master storyteller at his very best.

  • Sales Rank: #3468 in eBooks
  • Published on: 2015-11-03
  • Released on: 2015-11-03
  • Format: Kindle eBook

Review
“Renowned author King’s impressive latest collection wraps 20 stories and poems in fascinating commentary…the stories themselves are meditations on mortality, destiny, and regret, all of which showcase King’s talent for exploring the human condition…this introspective collection, like many of King’s most powerful works, draws on the deepest emotions: love, grief, fear and hope.” (Publishers Weekly, STARRED review)

"A gathering of short stories by an ascended master of the form... This collection speaks to King's considerable abilities as a writer of genre fiction who manages to expand and improve the genre as he works; certainly no one has invested ordinary reality and ordinary objects with as much creepiness as King... Best of all, lifting the curtain, King prefaces the stories with notes about how they came about. Those notes alone make this a must for aspiring writers." (Kirkus)

"To the reader's delight, King provides a backstory for each tale, enticing the reader with a memory or scenario that prompted that particular selection's birth... The stories collected here are riveting and sometimes haunting, as is the author's style. Surprise endings abound. King is in a class all by himself. Be prepared to read voraciously." (Library Journal, starred review)

“BAD DREAMS packs plenty of bite into the 20 stories found here… a welcome dose of horror from the modern master. A large helping, too: Dreams weighs in at 495 pages, every one of which whips by as you plunge into one jolting tale after another… in the space of just a few pages, King can leave your nerves thoroughly jangled. As always, King conjures nightmares you don’t necessarily want to wake up from.” (Preston Jones, The Fort Worth Star Telegram)

“[King]has always had a wicked (in more ways than one) sense of humor, too, and it'soften on display along with the scary stuff in his new short story collection, THE BAZAAR OF BAD DREAMS…One of the bonuses of Bazaar is that each story is preceded by a note from the author about its genesis… If you're looking for King's paranormal horror side, though, Bazaar has plenty to satisfy you…And if you want King in full funny tall-tale mode, head for Drunken Fireworks.It's the hilarious story of how its narrator, a Maine native named Alden who lives with his mother in a modest cabin on the ‘town side’ of Abenaki Lake,gets into an ever-escalating Fourth of July arms race with a rich guy on the other shore who's rumored to be ‘connected,’ if you know what I mean. One lesson: Never buy a firework called Close Encounters of the Fourth Kind.” (Collette Bancroft, The Tampa Bay Times)

“The best stories in THE BAZAAR OF BAD DREAMS are the ones that read like they meant something to King... A Death, which bears the easy, plaintive prose of Kent Haruf, follows a sheriff preparing to go through with the hanging of a man who may have been falsely convicted of murder. Obits channels the snark and cynicism of contemporary culture as its hero, a writer of celebrity death notices for a Gawker-like website, discovers he can kill people by writing their obituaries while they’re still alive. Summer Thunder, the touching post-apocalyptic story that concludes the book, ends on a note of lovely melancholy. Death may be inevitable, King says. But to fret about it or dwell on it is a waste of time when life, even at its most difficult, can bear so many rewards.” (Rene Rodriguez, The Miami Herald)

“Outstanding…King’s usual homespun style and storytelling swerves are fully evident, yet what’s really neat about Bad Dreams is the scribe’s introductions to each piece. Like little throwbacks to his 2000 manual/memoir On Writing,King tosses out bits of trivia and inspiration for each of his short form treats. A series of 150-mile drives in college led to Mile 81 and the most homicidal car since Christine. And a double whammy of trips to Applebee’s plus observing a road-rage incident in real time sparked his impressive imagination to create Batman and Robin Have an Altercation,an excellent piece pitting a father-and-son dynamic duo against Alzheimer’s and a strapping Texan. Short stories have a famous place in the King oeuvre, with the likes of The Body and RitaHayworth and Shawshank Redemption finding second lives on the big screen as Stand By Me and Shawshank Redemption. So it’s interesting to read how King likens himself to a midnight street vendor with these mini-tales and confesses they have given him ‘a soul-deep fear thatI will be unable to bridge the gap between a great idea and the realization ofthat idea’s potential.’ Like all the greats, though, his ability to grip thereader’s mind, body and soul with his prose makes it all look easy.” (Brian Truitt, USA Today)

“A triumph…Stephen King’s shorter works have inspired readers, writers, filmmakers and other artists for more than 40 years. His newest short story collection, THE BAZAAR OF BAD DREAMS, continues his tradition of compulsively readable short stories, novellas and narrative poems that will thrill fans looking for scares, surprise critics that write him off as a ‘genre’ author and inform artists about his personal creative process…[the] introductions are a fascinating look into the mind of one of the most popular writers in the world, and much like his writers’ manual “On Writing,” he provides readers with concise and insightful observations about the art of the written word…remarkably resonant… The last story of the collection, ‘Summer Thunder,’ takes the reader through the last days of two survivors of a worldwide nuclear holocaust… the last lines of the story are some of the most emotionally powerful sentences Mr. King has ever committed to paper — they will leave readers weepy, uplifted and satisfied…With THE BAZAAR OF BAD DREAMS, Stephen King has achieved something rare: a short story collection with no weak spots. From a woman confronted with the limits of empathy and the reality of pain, to a man who sees the names of the doomed written in sand, the pieces play off of one another to create a cohesive reading experience filled with optimism, sadness and a search for answers to life’s unanswerable questions. While these stories may conjure up a few nightmares, they also will delight, inspire and, most importantly, entertain readers willing to make the journey." (Wendeline O. Wright, The Pittsburgh Post-Gazette)

“[King]serves up a potent mix of stories that land in and around the horror genre. Not surprisingly, most are classic King page-turners, but the choicest finds in this bazaar are the stories behind the stories or, more correctly, in front of them. King introduces each story with an explanation about the motivation for writing it. You don't need to be a writer — or a King fan — to find these fascinating.Anyone who's ever wondered about the creative process will find the author's path to each story revelatory…Each story is compelling in its own way,though I'm guessing each reader will have favorites and it's doubtful that any two lists will be the same.” (Cathy Jakicic, The Milwaukee Journal Sentinel)

“King fans are in for another in a long line of treats…THE BAZAAR OF BAD DREAMS provides a tasty sampler that, like his other short story collections, showcases the master’s array of talents.” (John Holyoke, Bangor Daily News)

“Stephen King taps economic uncertainty and his own deep well of creativity to create 20 unsettling stories…It may be seven more years before King delivers another collection such as this one. Depending on how ordinary people continue to fare in the face of harsh reality, his topics of concern may shift in the meantime, as may those of his audience. Readers can be thankful, however, that he’s still out there pitching stories with all the craft and guile he can muster.” (Michael Berry, The Portland Press Herald)

“[A] meaty collection with interesting insights into the creative process of a writer who caused many sleepless nights. Well worth keeping on your bedside table for those evenings when, as King puts it:‘... sleep is slow to come and you wonder why the closet door is open, when you know perfectly well that you shut it.’" (Rob Merrill, The Associated Press)

“There are a lot of good stories in this collection: moving,disturbing and in between. ‘Summer Thunder’ imagines a post-apocalyptic world of startling beauty…In ‘Morality,’ a marriage goes south when a wife falls prey to the imprecations of her employer — not sexual, but ethical. The idea is that we are all complicit, fundamentally, in what happens to us, that the stain of sin is a collective one…When King gives himself a little room to move,the effects are not only unnerving but also deeply human, a series of riffs on love and loss.” (David Ulin, The Los Angeles Times)

“In the more harrowing tales of THE BAZAAR OF BAD DREAMS, [it’s] the quotidian particulars of 21st century life — Walmart, DUI convictions, road rage, the stony realism of Maine’s rural poor — that haunt us…THE BAZAAR OF BAD DREAMS, of course, wouldn’t feel like real Stephen King to some without a closing story from the apocalypse. In the grimly gorgeous‘Summer Thunder,’ another high point in the collection, a man,his stray dog, Gandalf, and a neighbor wait out radiation poisoning at the end of the world. The final line is killer.” (Ethan Gilsdorf, The Boston Globe)

“Shortbut sweet…horror abounds in these collected tales…King confidently inhabitsvaried realms, from the American frontier, where a tale of justice plays out,to a Florida island with deathly secrets. He prefaces each story with anexplanation of its genesis, providing a fascinating glimpse into the mind ofremarkable writer.” (People)

“King’s constant readers will devour this new collection — the author is in rare form, not only talking to the reader directly in each introduction, but in making his characters fully human. Their hopes and their dreams are all on display. King says himself in the opening pages, ‘Feel free to examine them, but please be careful. The best of them have teeth.’ Indeed.” (Doug Knoop, The Seattle Times)

“King has not lost his ability to keep readers turning the pages late into the night, nor his knack of grounding the supernatural within the most mundane details of American life…this collection of 20 pieces displays a surprisingly wide range…Some of the high points find King in familiar territory…But there are equally successful stories that do not rely on the supernatural…Aptly, the book closes with ‘Summer Thunder,’ an end-of-the-world story, this time caused by our old friend nuclear war. It's a quiet tale, just two friends and a dog out in the country waiting for the radiation to kick in, but there's a particularly moving finish.” (Andy Smith, The Providence Journal)

About the Author
Edgar Award winner for Best Novel), Doctor Sleep, and Under the Dome. His novel 11/22/63—a recent Hulu original television series event—was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller as well as the Best Hardcover Book Award from the International Thriller Writers. He is the recipient of the 2014 National Medal of Arts and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.

Excerpt. � Reprinted by permission. All rights reserved.
The Bazaar of Bad Dreams Introduction
I’ve made some things for you, Constant Reader; you see them laid out before you in the moonlight. But before you look at the little handcrafted treasures I have for sale, let’s talk about them for a bit, shall we? It won’t take long. Here, sit down beside me. And do come a little closer. I don’t bite.

Except�.�.�. we’ve known each other for a very long time, and I suspect you know that’s not entirely true.

Is it?
I
You’d be surprised—at least, I think you would be—at how many people ask me why I still write short stories. The reason is pretty simple: writing them makes me happy, because I was built to entertain. I can’t play the guitar very well, and I can’t tap-dance at all, but I can do this. So I do.

I’m a novelist by nature, I will grant you that, and I have a particular liking for the long ones that create an immersive experience for writer and reader, where the fiction has a chance to become a world that’s almost real. When a long book succeeds, the writer and reader are not just having an affair; they are married. When I get a letter from a reader who says he or she was sorry when The Stand or 11/22/63 came to an end, I feel that book has been a success.

But there’s something to be said for a shorter, more intense experience. It can be invigorating, sometimes even shocking, like a waltz with a stranger you will never see again, or a kiss in the dark, or a beautiful curio for sale laid out on a cheap blanket at a street bazaar. And, yes, when my stories are collected, I always feel like a street vendor, one who sells only at midnight. I spread my assortment out, inviting the reader—that’s you—to come and take your pick. But I always add the proper caveat: be careful, my dear, because some of these items are dangerous. They are the ones with bad dreams hidden inside, the ones you can’t stop thinking about when sleep is slow to come and you wonder why the closet door is open, when you know perfectly well that you shut it.
II
If I said I always enjoyed the strict discipline shorter works of fiction impose, I’d be lying. Short stories require a kind of acrobatic skill that takes a lot of tiresome practice. Easy reading is the product of hard writing, some teachers say, and it’s true. Miscues that can be overlooked in a novel become glaringly obvious in a short story. Strict discipline is necessary. The writer has to rein in his impulse to follow certain entrancing side paths and stick to the main route.

I never feel the limitations of my talent so keenly as I do when writing short fiction. I have struggled with feelings of inadequacy, a soul-deep fear that I will be unable to bridge the gap between a great idea and the realization of that idea’s potential. What that comes down to, in plain English, is that the finished product never seems quite as good as the splendid idea that rose from the subconscious one day, along with the excited thought, Ah man! I gotta write this right away!

Sometimes the result is pretty good, though. And every once in awhile, the result is even better than the original concept. I love it when that happens. The real challenge is getting into the damned thing, and I believe that’s why so many would-be writers with great ideas never actually pick up the pen or start tapping away at the keys. All too often, it’s like trying to start a car on a cold day. At first the motor doesn’t even crank, it only groans. But if you keep at it (and if the battery doesn’t die), the engine starts�.�.�. runs rough�.�.�. and then smooths out.

There are stories here that came in a flash of inspiration (“Summer Thunder” was one of those), and had to be written at once, even if it meant interrupting work on a novel. There are others, like “Mile 81,” that have waited their turn patiently for decades. Yet the strict focus needed to create a good short story is always the same. Writing novels is a little like playing baseball, where the game goes on for as long as it needs to, even if that means twenty innings. Writing short stories is more like playing basketball or football: you’re competing against the clock as well as the other team.

When it comes to writing fiction, long or short, the learning curve never ends. I may be a Professional Writer to the IRS when I file my tax return, but in creative terms, I’m still an amateur, still learning my craft. We all are. Every day spent writing is a learning experience, and a battle to do something new. Phoning it in is not allowed. One cannot increase one’s talent—that comes with the package—but it is possible to keep talent from shrinking. At least, I like to think so.

And hey! I still love it.
III
So here are the goods, my dear Constant Reader. Tonight I’m selling a bit of everything—a monster that looks like a car (shades of Christine), a man who can kill you by writing your obituary, an e-reader that accesses parallel worlds, and that all-time favorite, the end of the human race. I like to sell this stuff when the rest of the vendors have long since gone home, when the streets are deserted and a cold rind of moon floats over the canyons of the city. That’s when I like to spread my blanket and lay out my goods.

That’s enough talk. Perhaps you’d like to buy something, now, yes? Everything you see is handcrafted, and while I love each and every item, I’m happy to sell them, because I made them especially for you. Feel free to examine them, but please be careful.

The best of them have teeth.

August 6, 2014

Most helpful customer reviews

100 of 108 people found the following review helpful.
A Great Collection That Matches His Past Short Story Work
By Robert Bolton
In recent years, many devoted readers of Stephen King have made the complaint that his novels have declined in quality. While that might be true, I always reply that his short stories are (and always have been) his best works. This new collection shows that Mr. King has not last his talent at building up terror in readers of the span over forty or fifty pages. Unlike past collections, though, these stories more often reveal the monstrosity within the human soul, rather than any outside ghoul.

In total, there are twenty stories in this collection, with only three or four I have not recognized from prior publication either in magazines or on Amazon Kindle. A few, like "Blockade Billy," even made it into a hardback format. Despite this, however, there are a few of his recent efforts (like "Into the Tall Grass") that have been regrettably omitted. That does not detract from the overall quality of this work.

One of his stories, "Ur" contemplates the possibility of alternate realities in a vein similar to his novel 11/22/63, and also throws in a few allusions to his Dark Tower series, which personally thrilled me. Another story, "Afterlife," features a man who suffers a slow, painful death from cancer, but finds himself in a vicious ouroboro, repeating the mistakes of the past in slightly new ways, but with the same ultimate result. Although Mr. King has delved into Holmesian detective fiction before, his story "Batman and Robin Have an Altercation" unfortunately does not actually involve the masked detective. It does, though, grimly describe the visit of a middle-aged man to his Alzheimer's-stricken father in a nursing home and what that leads to. My personal favorite among these stories, however, is "The Dune," featuring a state supreme court judge whose attorney discovers the secret of the judge's childhood haunt. Surprisingly, Mr. King also includes a few pieces of poetry in this collection. While he has done so in the past, I must admit that I personally prefer his prose.

Some of his other stories reveal Mr. King's age. When I saw the title for his story, "Hermann Wouk Is Still Alive," I wondered to myself if anyone under the age of forty even knows who he was. That is not a bad thing, however, and he also gives tips of the hat to horror writers like H.P. Lovecraft and Arthur Machen who ceased writing long before Mr. King began his career. For those with a love of the horror genre, these are welcome acknowledgements to some of King's most frequent inspirations.

On the whole, this is a great collection by Stephen King. While it is not the best collection he has produced, it presents new and recently published material that meets the demanding standards of his fans. A great way to spend one's evening reading hours.

134 of 150 people found the following review helpful.
Not his best anthology by a long shot.
By James Tepper
It is much easier to write a review of THE BAZAAR OF BAD DREAMS than it is to assign it a numerical ranking. This is because several of the short stories in this anthology have already been released, not only in whatever periodicals they originally appeared, but also as Kindle singles, and three of them (MILE 81, UR, and DRUNKEN FIREWORKS) are (arguably, I suppose) among the best of the lot. Another couple of the stories (BLOCKADE BILLY [truly forgettable] and MORALITY,were previously released (2010) in an inexpensive hardcover print and/or other editions, and one, DRUNKEN FIREWORKS, a typically wonderful, straight-up no horror or supernatural rural SK tale was released last year as in audible only format) and another, THE LITTLE GREEN GOD OF AGONY, a great King horror short, was published in a 2011 anthology by several horror writers (A BOOK OF HORRORS). That leaves 13 other entries, two of which were poems. Of the remaining 11 (and I am pretty sure that most of them were also previously published in periodicals and possibly other multi-author anthologies that I have not seen), my favorite was OBITS (that reminded me a lot of, and used the same Maguffin as in KIng's THE WORD PROCESSOR).

If you have never read any of these stories before, then MILE 81, UR, LITTLE GREEN GOD OF AGONY and DRUNKEN FIREWORKS alone are, I am confident to say, worth the price of admission, and this anthology deserves an Amazon rating of 4 or 5. But if you have already read only 2 or 3 of them, as most die hard SK fans like myself have, then the rating drops markedly, based only on what's left after all the winners have been discounted. I have rated this a 3, which, except for BLOCKADE BILLY that I rated as a 2 (my lowest rating for any SK novel, short story, anthology or non-fiction and I have read most of them), which ties for the lowest rating I have given to any review of anything King has published.

I am NOT one of those who say stuff like "Back when he could write..." or "His best days are far behind him." or any horse feces like that. All one has to do is read 11/22/63, JOYLAND, DOCTOR SLEEP, REVIVAL or either of the two BILL HODGES TRILOGY, all published in 2011 or subsequently, to know that King is still one the best writers of fiction around. And, it could even be argued, that he is a better writer now, more polished at his craft and more mature, than he he was as an (alcoholic, coked-up but who cares, it was the 70s and 80s and he already had money and accolades enough for a lifetime) astoundingly successful young writer in his prime, from the mid 1980s through his near-fatal accident in 1999.

And for God's sake, those who rate this anthology poorly (as I guess I sort of do) , but say it's because he is writing for money - that really makes me lol. The guy is worth something like $400 million. If YOU had $400 million, would you want to risk your reputation simply to make another lousy $20 million? Neither would I, and neither, I am sure, would Stephen King.

I think what happened with BAZAAR OF BAD DREAMS was, in large part, due to the relatively recent (about 8 years since first introduction) advent of electronic publishing in the form of Kindle singles. Prior to that, if one did not see one of SK's shorts in the original periodical that published it, one had almost no chance to read it (or even know about it) until it was collected into an anthology. But by the late 2000's, the Kindle and kindle reader app for all platforms allowed SK to publish gems like MILE 81, UR (a really great SF novella centered on the early Kindle that only SK could write), and DRUNKEN FIREWORKS as e-book singles, rather than holding them back for 10 years or so until he had accumulated enough for another anthology that might have been comparable to NIGHTMARES AND DREAMSCAPES, EVERYTHING'S EVENTUAL, JUST AFTER SUNSET or some of his others.

So, in summary, if you've not read any of the stories in this anthology before, I would give it a solid 4 stars. Not 5, because some of the stories are weaker than average. But given what is left over after removing from consideration those stories that most of his "Constant Readers" like me have already bought and read, and going solely on the remaining short stories (and two very weak poems), I am sad to say that I think a 3 star rating is actually pretty generous.

JM Tepper

135 of 149 people found the following review helpful.
Short stories by Stephen King? Count me in! A strong collection of the darkness of the could-be-real
By Nathan Webster
A new short story collection by Stephen King is one of the few literary events I truly look forward too, and I was glad to get an early look at this new book. While I like some of his recent novels, King's last couple collections ('Full Dark, No Stars,' 'Just After Sunset') have been more my preference.

This collection is aptly titled - a lot of the stories end in gruesome and bitter ways. In recent years, King's style has long since changed from the rural characterizations of his 1970s early work to a more grand guignol approach. Some will like that, and I can enjoy it in small doses. The most positive aspect of King's short stories are the tight, controlled, on-point writing within the confined space. Personally, I think his longer novels could stand some more aggressive editing. His short stories - especially this collection - seem to have gone through a round or two of outside influence.and I think that helped a lot. In a story like "Herman Wouk is Still Alive," the bitter ending needs to get wrapped up with a punch, and that happens here. I think that impact would have been lost in an extra 10 pages, for instance (I also read this story in its original magazine appearance, and something about it being in a book gives the narrative more weight...I was not as unsettled by the ending in the magazine, as I was here. Strange...).

"A Death," I think will appeal to King's longest-running fans. It's the story that captures the rural-speak "Night Shift" vibe the closest. "That Bus is Another World" is close to the grim view a lot of the stories in "Skeleton Crew" had - it's not supernatural, not even horrible in a direct, specific, "it's happening to me" way - it's the 'distance' from the horror that makes it terrible. If that makes sense.. "Mile 81" is sort of like "Mrs Todd's Shortcut," except not so benign.

Very few of the stories are straight-up supernatural. Ultimately, it's four stars for me because of that. I loved "Night Shift," for example, because of the supernatural/horror elements of the stories. They weren't "real." This collection IS real - these events, mostly, COULD happen. And frankly, that took some of the fun away for me - which isn't to say I don't appreciate the writing. As Stephen King has gotten older he's much more attracted by the grimness of what's right in front of him, rather than fictional tales of zombies or vampires. We see that not just in these stories, but his new "Finder's Keepers" trilogy, which is mostly a real-world setting, with a little supernatural influence. That same vibe is through most of these stories.

But I like ghost stories where I don't have to think that world doesn't actually exist. I like horror of creatures beyond my imagination that might not actually show up to murder me (I really liked "Revival," which WAS old-school horror)...and these stories by King are a world that could/does/will exist - and that IS a very true bazaar of bad dreams!

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[M271.Ebook] Download PDF Mastering Arabic 1 with 2 Audio CDs: Third Edition (Arabic Edition), by Mahmoud Gaafar, Jane Wightwick

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Mastering Arabic 1 with 2 Audio CDs: Third Edition (Arabic Edition), by Mahmoud Gaafar, Jane Wightwick

Mastering Arabic 1 is the most accessible and carefully paced Arabic self-study course on the market. This new 3rd edition features an attractive full-color design and a wealth of illustrations and photos, access to a free website with online exercises and videos, and new conversational sections which encourage you to begin speaking Arabic right away.


Designed for both classroom use and self-study, Mastering Arabic 1 is aimed at beginners with little or no previous knowledge of the language who want to understand, speak and read Arabic confidently.


  • Teaches Modern Standard Arabic, the universal language of the Arab world
  • Includes 20 practical units with cartoon illustrations, lively exercises, and conversation sections
  • Useful and relevant lessons cover everyday situations related to family, jobs, introductions, eating and drinking, and much more
  • Offers a gradual introduction to the language, script, and grammar through audio, video, stories, and easy-to-follow explanations
  • Includes hundreds of exercises to help you practice what you ve learned
  • Two audio CDs feature correct pronunciation by native speakers
  • Access to a free website with videos and online exercises to reinforce and supplement the lessons

  • Sales Rank: #46308 in Books
  • Published on: 2015-02-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.09" h x .78" w x 6.96" l,
  • Binding: Paperback
  • 384 pages

About the Author
Jane Wightwick and Mahmoud Gaafar are experienced writers, publishers, and educators specializing in accessible language guides and learning materials. They have authored numerous titles including Mastering Arabic 1, Mastering Arabic 2, and Arabic Dictionary & Phrasebook, all published by Hippocrene Books. They reside in the U.K.

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51 of 52 people found the following review helpful.
The best Arabic resource out there for SERIOUS beginning learners!
By S. Azzouz
I have been a fan of Jane's and Mahmoud's books since I found them 3 yrs ago and us polyglots have a lot to thank them for in Arabic resources. Jane and Mahmoud really have a passion for non-Arab speakers learning the language and they have been good enough to put a lot of resources out there and REALLY update them vs. some of the stale books of old (i.e. Teach Yourself) who pretend to update and just put on a new cover. While I love Teach Yourself books, in some respects and I value the Arabic book they offer, it is not the best way for a beginner who wants to get and **stay** interested in Arabic. Its super tedious on grammar and a big snooze fest reading it. The newer edition is heaps better but still a bit bogged down. Mastering Arabic fills the void for serious beginning learners who want to learn the ins and outs of the language; reading and writing it, not just for "tourist season". If you want to learn Arabic for that, don't get this book.

I am not new to Arabic but I love both Mastering 1 and 2 books. I have been using TY's Complete Arabic for just about 2 yrs and have learned very little because it is so grammar heavy and boring to get thru that I find myself just throwing it in my closet in frustration and boredom. I dread picking it up some times to the point that I just totally stopped learning Arabic last year period because I couldn't stand to look at another grammar intense chapter. It made my favorite language, unappealing and I grew to dislike trying to learn it. So I began looking for new resources and something that wouldn't be too easy or "touristy". Mastering Arabic is perfect for that; it slowly builds up your knowledge and lets your brain grasp concepts, structure, and some grammar without ramming it down your throat. An early reviewer posted that this book is not for self learners but he is totally incorrect. That is why Jane and Mahmoud created the series (and eventually, the now book publishing company they run together--Hippocrene/Palgrave books); for those people who do not have access to teachers or who want to learn basics on their own.

This book teaches the alphabet and pronunciation at a slow pace (well, for some of us, a snail's pace! lol!)so that if you have no experience ever learning, you will be able to learn and retain at a comfortable speed. If you are past hellos, goodbyes and simple pleasantries, then it will annoy you to go thru it again but in between this, there are still some things to learn you may not know. Sometimes when you're past early beginner's stage, you think you "know" all that but you'd be surprised how much you still don't know. I learned a couple of things I had no idea about, in the first 2 units alone. There are over 200 exercises to do in the book; reading, writing, and listening and it is all good to do. Some people hate doing the exercise in language books and in some books they are useless but in this book, I would highly recommend you do most of them because they will catapult your learning and retention to a high degree, like you wouldn't believe. The exercises make your mind think and process the Arabic so you imbed it in your head, not just be a puppet or robot by memorizing dialog, vocabulary and studying like a zombie.

I must say though, that the book is lacking in dialogs and conversations but I think that is intentional, because they want to reinforce the language by making you think of and write your own dialogs/sentences vs. repeating parroted phrases to memorize, thus making the language come alive and active. Which is why I think, as the authors say, doing the exercises is important; because while it may seem trivial and insignificant or a waste of time, you may discover, like me, that they really get the language into your head and thinking. Also, when you go on to the next book and study other Arabic materials, things--like grammar and sentence construction, seem to fall into place like pieces of a puzzle being solved. For example, looking at my TY Arabic book no longer seems so unapproachable(although, it is still BORING and grammar wordy but it makes more sense and a bit more palatable, instead of mind boggling; and the extra vocabulary and dialogs are a big plus!)Some reviewer complained that she was disappointed in the book because the word "Master" to her meant that your master it completely and learn it. Well, I couldn't help but think that she is insane because anyone who truly thinks that you can totally master or completely learn a language by reading a couple of books and listening to CD's is absolutely crazy. You learn basics from books/CD courses but you have to USE it in life to learn it and no one ever completely masters a foreign language, I don't care how much you study, read or memorize books, newspapers, etc. It will not happen.

These books made Arabic learning fun for me again. They are not too heavy on grammar(something another reviewer was upset about),they are light, user-friendly and interesting. Even with all the exercises, it doesn't make you feel overwhelmed with material to learn; its very easy going and slow paced for very, very beginning learner or those who don't want to whip thru a book before landing in Egypt on vacation but fast enough for those who want to learn at a piece by piece basis. You can take as much time as you need to and still feel like you are learning something. These 2 books will take you from beginning to low intermediate, which is great because from most language courses that is all you need to go to the next level and learn the "meat" of a language and really start speaking to native speakers without feeling stupid and you begin to pick up things in the language faster; the initial hump is what is the hardest. After these books, you will feel more confident to tackle a bit more of the difficult stuff like basic grammar--which I definitely recommend Jane and Mahmoud's Arabic Basic Grammar book, for use after these books and excellent for people who flunked grammar in school, like me and hate wordy big grammar books like the 501 series. Its laid out simple and easy for just about every person to understand and actually "get" it.

Bottom line is, its a great series, if you love Arabic and want to learn how to speak it, both books will get you well on your way to achieving your goal, IF you put in the work and follow the lessons and of course, don't be afraid, get out there, speak and let native speakers hear you and get confidence to continue!

15 of 15 people found the following review helpful.
Recommend for Motivated Learners
By �ve
This morning I just completed the final lesson. I thought a review could be useful to someone planning on learning Arabic from this book so here are my thoughts. I have organized my opinions into pros and cons for ease of reading.

Pros

Relatively simple to follow for those planning on self-studying: The pace of learning from lesson to lesson is appropriate and while there are certain areas that I wish the book had spent more time on (more exposure to the different verb types and more grammar lessons) these are my personal areas of improvement, and they don’t correlate to any lapse in explanation or content within the book.

CDs and pictures: There are 2 CDs the come with the book which are extremely useful as you are learning to pronounce the language. They also help to develop your ability to understand the spoken language instead of just reading and writing, which was one of my goals. The pictures break up the text from becoming one grammar lesson after another and provide visual stimulation to those who learn well from visual aids.

Varied and interesting lessons: Many of the lessons in this book are actually fun to complete. They cleverly mix memorization and grammar with recordings, comic strips, diary entries, etc. There was a lot of thought put into these lessons and it shows,

Provides a solid foundation of beginning to early intermediate level of Arabic: The lessons are fast-paced but easy to follow. You may have to spend longer on one lesson than another to fully memorize and easily apply the information within, but after only 20 lessons you will be able to speak/read/write in present, future and past tense, count, tell time, possessives, negatives, and create plurals.

Cons

Spelling and grammatical errors: There were a few typos that I was able to find in the exercises as well as in the answers to exercises. This was confusing and frustrating at times because I incorrectly thought I had misunderstood something when in fact, after verifying with a native Arabic speaker, the book was incorrect. If you have someone who can verify these errors for you it may just be a minor inconvenience, but if you do not have access to such a resource, this could be very confusing,

“Dictionary Work”: This is a certain type of exercise that is featured in several lessons that involves the use of a dictionary. The aim of this exercise is to help the student learn to use an Arabic dictionary and also learn the plural, conjugation of verbs, meaning of words, etc. by filling in a chart. Firstly, I do not own an Arabic dictionary and I don’t intend to purchase one because of the number of free dictionaries online that look up the word for me, Also, filling in a chart is a very dull and unexciting method of learning the very dull and unexciting subject that is grammar. There are a number of great lessons in this book that can easily replace all of these “dictionary work” ones, and I hope the authors do in future editions.

Overall, I would recommend this book if you are a first-time Arabic learner. It is appropriate for self-study, but having an native Arabic speaker would be useful for clarification for some typos. The lessons are well-thought out and varied and the CDs and visual aids help keep things interesting. While, the book is fast-paced and covers a lot of different subjects in a short space of time (I finished this book in 3 months), just make sure to keep up with the lessons at your own pace as some areas will need to more self-study beyond the lessons in the book. No one language book can fit the needs of every individual, so additional study beyond the book is and will be necessary for me to feel 100% comfortable with all of the material that was covered in the book.

13 of 14 people found the following review helpful.
Great Product for learning Arabic!
By historyprof11
I had taken a year of Arabic at a local community college, but the professor was not good and I stopped pursuing the language. However, my career path led me to look for Arabic materials that were self-driven and would have practical information that I could use. This book does exactly that, making Arabic as easy as possible to learn and reinforcing the material with excellent audio tapes and an engaging book, filled with activities, pictures and even some games. From my brief look-over of the chapters I have not yet covered, this will not teach you everything there is about Arabic, but will build a strong base and can be advanced upon with the sequel to this book.

Overall

Pros: Well-Organized, Easy to follow and learn, excellent activities and practical information

Cons: I really can't think of any. This book has it all.

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[N206.Ebook] Get Free Ebook Schaum's Outline of Beginning Physics I: Mechanics and Heat (Schaum's), by Alvin Halpern

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  • Sales Rank: #306343 in Books
  • Published on: 1995-01-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x .90" w x 8.20" l, 1.71 pounds
  • Binding: Paperback
  • 504 pages

About the Author
McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide

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0 of 0 people found the following review helpful.
Five Stars
By SRIPATHY
GOOD INTRODUCTION TO PHYSICS AT ROCK-BOTTOM PRICE

10 of 10 people found the following review helpful.
Complete Coverage of Classical Physics Fundamentals
By Quinn
I recently bought Schaum's Beginning Physics I and Beginning Physics II to refresh my basic classical physics. These volumes are almost perfect in the sequence in which the material is presented. And the depth is adequate for a solid foundation in classical physics if one is intending to move to a more in-depth study of a particular area of classical physics, such as mechanics, electromagnetism, optics or thermodynamics.

The only short comings are in that the material is mostly presented with a bare-bones explanation. If you are reviewing or using this along with a regular physics text, it should not be a problem. I don't think the author intended it to be a complete stand-alone course. This being the case, I still rate it as a Five Stars. But some of the passages and material will require that you read and re-read certain parts,,, AND think over what you've read. But physics is a difficult subject and if you really want to learn it, it will require work regardless of what ever resources you use.

The diagrams are complete and numerous to convey the material, but again, they quite often require several viewings and some careful thought. They are accurate, and that is what counts.

The aspect of these books that I found most admirable are the many sample problems and the presentation of the solutions,,, This is why I give the books an unqualified Five Stars. They are thorough, complete and cover every part of a general classical physics education. This is a non-calculus oriented presentation and to REALLY learn physics, you will at sometime need to learn the calculus. These books will prepare you to do so. If used with or just after a high school level algebra text you will be ready to take on teaching yourself calculus, the step should be easy.

The only thing that annoyed me with these books is they are very flimsy. Some of the pages come out when just using it in a normal way. But for the price that is not really an issue. So it's not carry-about friendly. But the coverage and accuracy makes up for that several times over. Complete coverage, and accuracy best describe these two volumes.

30 of 31 people found the following review helpful.
Keeps what it promises
By renard des sables
A previous reviewer gave this book a bad rating because she/he was not pleased with the preview pages offered at Amazon. Actually the preview pages are ok - it just happens that the author is dedicating the first chapter to brush up the students math. The book holds what the author promises in the preface: "The book is specifically designed to allow students with relatively weak mathematics and science problem solving to quickly gain the needed quantitative reasoning skills as well as confidence in addressing the subjects in physics"
The book is designed to accompany first year college students. Price/Value ratio seems ok - and it blends in with the second part "Beginning Physics II" (which has received good ratings as well).

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Sabtu, 06 Agustus 2011

[T969.Ebook] Get Free Ebook The Cultural Impact of Kanye West

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The Cultural Impact of Kanye West

  • Published on: 1600
  • Binding: Hardcover

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Jumat, 05 Agustus 2011

[R158.Ebook] Fee Download Cities of Ladies: Beguine Communities in the Medieval Low Countries, 1200-1565 (Middle Ages Series), by Walter Simons

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Cities of Ladies: Beguine Communities in the Medieval Low Countries, 1200-1565 (Middle Ages Series), by Walter Simons

In the early thirteenth century, semireligious communities of women began to form in the cities and towns of the Low Countries. These beguines, as they came to be known, led lives of contemplation and prayer and earned their livings as laborers or teachers. In Cities of Ladies, the first history of the beguines available in English in almost fifty years, Walter Simons traces the transformation of informal clusters of single women to large beguinages. These veritable single-sex cities offered lower and middle class women an alternative to both marriage and convent life. While the region's expanding urban economies initially valued the communities for their cheap labor supply, severe economic crises by the fourteenth century restricted women's opportunities for work. Church authorities had also grown less tolerant of religious experimentation, hailing as subversive some aspects of beguine mysticism. To Simons, however, such accusations of heresy against the beguines were largely generated from a profound anxiety about their intellectual ambitions and their claims to a chaste life outside the cloister. Under ecclesiastical and economic pressure, beguine communities dwindled in size and influence, surviving only by adopting a posture of restraint and submission to church authorities. Based on the archival records left by about 300 beguine communities, Cities of Ladies illuminates the context of beguine writings, which are considered among the most significant documents of medieval women's mysticism. In updating and expanding our knowledge of the beguines, Simons makes a significant contribution to the history of urbanization, religious change, and gender in medieval Europe.

  • Sales Rank: #7110160 in Books
  • Brand: Brand: University of Pennsylvania Press
  • Published on: 2001-09
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.29" h x 6.45" w x 9.58" l,
  • Binding: Hardcover
  • 335 pages

Review

"Destined to become the standard work in beguine history."—Renaissance Quarterly



"A tour de force."—David Nicholas, Clemson University



"A vivid, valuable portrait."—History



"Comprehensive and authoritative."—Medium Aevum



"Walter Simons has written a thorough, scholarly study, long on careful research, to the point on analysis, and without theoretical trappings. Cities of Ladies is a most welcome contribution to the study of medieval religious life and women's place in the life of the Low Countries."—Speculum



"Indispensable for students of medieval religion and women's history."—Journal of Religion



"The definitive study. . . . A learned, lively, and highly readable book, now the essential introduction to the subject."—Choice



"This fine work reveals medieval religion as a web of overlapping interests. . . . Simons has thus both provided a detailed study of the movement in the Low Countries and place it in its wider religious, social, and economic context."—Ecclesiastical History

About the Author
Walter Simons is Associate Professor of History at Dartmouth College.

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10 of 10 people found the following review helpful.
An important book, if a somewhat limited look at a very interesting phenomenon.
By M. Dalton
The Beguines were a very important phenomenon in the history of Europe. Until pretty recently, they have received little attention in the English-speaking academic world, so this book is a welcome and sorely needed addition to the body of work on this subject, and I hope it is only the first of many to come. The beguines were lay communities of women who thrived for a period in the medieval low countries. Originally founded by large numbers of widows left alone after a series of brutal wars in the region, beguines represent a remarkable type of community. Outwardly they appeared to be similar to nuns, but they swore no vows, could remarry if they chose to do (and many did) yet at the same time they were autonomous. The Church initially accepted them but later began to crack down as some beguine leaders became influential and their outlook was described in the Catholic encyclopedia as 'polytheistic' and 'anarchist'. They were protected by some of the more powerful towns due to their value as relatively cheap labor in the textile industry, and perhaps most important, for their role as school teachers. The respect for these women in these towns is made clear by the continued survival of some spectacular Beguinages to this day, such as the remarkable Begijnhof complex in Amsterdam. My only complaint about this book is that it is somewhat limited in scope as it does not track the movement of beguines beyond the Low Countries in the 14th and 15th Centuries (when many of them moved East to Bohemia and Poland where there was greater religious tolerance) and beyond the medieval period, as well as their relationship to the somewhat similar and equally important Bretheren of the Common Life, who played an important role in the spread of scriptoria for copying books.

0 of 0 people found the following review helpful.
Combine Brother Cadfael book series and a trip to Brugges ...
By Dimitrios Halatsis
Combine Brother Cadfael book series and a trip to Brugges, Belgium you find in this book a history review about women in Medieval years.

0 of 0 people found the following review helpful.
Carefully researched information about location of Beguine communities, but ...
By Adele B. Hanson
Carefully researched information about location of Beguine communities, but most of the book is footnote material written in much detail in very small print!

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Selasa, 02 Agustus 2011

[F397.Ebook] PDF Download Delta Lady: A Memoir, by Rita Coolidge, Michael Walker

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Delta Lady: A Memoir, by Rita Coolidge, Michael Walker

The two-time Grammy Award-winning singer and songwriter bares her heart and soul in this intimate memoir, a story of music, stardom, love, family, heritage, and resilience.

She inspired songs—Leon Russell wrote “A Song for You” and “Delta Lady” for her, Stephen Stills wrote “Cherokee.” She co-wrote songs—“Superstar” and the piano coda to “Layla,” uncredited. She sang backup for Eric Clapton, Joe Cocker, and Stills, before finding fame as a solo artist with such hits as “We're All Alone” and “(Your Love Has Lifted Me) Higher and Higher.” Following her story from Lafayette, Tennessee to becoming one of the most sought after rock vocalists in LA in the 1970s, Delta Lady chronicles Rita Coolidge’s fascinating journey throughout the ’60s-’70s pop/rock universe.

A muse to some of the twentieth century’s most influential rock musicians, she broke hearts, and broke up bands. Her relationship with drummer Jim Gordon took a violent turn during the legendary 1970 Mad Dogs & Englishmen tour; David Crosby maintained that her triangle with Stills and Graham Nash was the last straw for the group. Her volatile six-year marriage to Kris Kristofferson yielded two Grammys, a daughter, and one of the Baby Boom generation’s epic love stories. Throughout it all, her strength, resilience, and inner and outer beauty—along with her strong sense of heritage and devotion to her family—helped her to not only survive, but thrive. Co-written with best-selling author Michael Walker, Delta Lady is a rich, deeply personal memoir that offers a front row seat to an iconic era, and illuminates the life of an artist whose career has helped shape modern American culture.

  • Sales Rank: #407753 in Books
  • Published on: 2017-04-11
  • Released on: 2017-04-11
  • Original language: English
  • Dimensions: 8.00" h x .54" w x 5.31" l, .0 pounds
  • Binding: Paperback
  • 240 pages

Review
“Candidly tells the ups and downs of her life story, including her romantic relationships with Leon Russell, Stephen Still, Graham Nash and Kris Kristofferson.” (Parade)

“Unusually frank and compelling.” (San Diego Union-Tribune)

“DELTA LADY is so intimate, you feel you are in a room with Rita Coolidge as she confides her experiences as backup singer, songwriter, star — and muse to some of rock’s greatest talents. An extraordinary, moving, and insightful journey through the minefields of musical talent, ego and glamour.” (Sheila Weller, author of GIRLS LIKE US: Carole King, Joni Mitchell, Carly Simon — and the Journey of a Generation)

“Lyrical…. Exhibits a deep understanding of human nature…. Authentic and intimate.” (Publishers Weekly)

“Surprisingly rich… in a manner that rarely seems gossipy and never salacious, the author presents her perspective on the sea changes that rock underwent in the early 1970s, an era in which she played a key role…. This illuminating autobiography exceeds expectations.” (Kirkus)

“It’s funny how one person’s memory can wake yours up, transporting you instantly to that particular time in your life. The life story of this beautiful, strong, elegant woman takes me back to a happier place in my past and I hope others get the same feeling reading Rita’s story, the story of a life well worth living.” (Graham Nash)

“The personal saga of a young woman who was driven to sing and the account of a time in which pop music itself was finding a new version of itself…. A positive, uplifting life story…. For Coolidge’s legion of fans, this is a must-read.” (Booklist)

From the Back Cover

The two-time Grammy Award–winning singer and songwriter bares her heart and soul in this intimate memoir—a story of music, stardom, love, family, heritage, and resilience.

She inspired songs—Leon Russell wrote “A Song for You” and “Delta Lady” for her; Stephen Stills wrote “Cherokee.” She co-wrote songs—“Superstar” and, uncredited, the piano coda to “Layla.” She sang backup for Eric Clapton, Joe Cocker, and Stills before finding fame as a solo artist with such hits as “We’re All Alone” and “(Your Love Has Lifted Me) Higher and Higher.” Following her from Lafayette, Tennessee, to her becoming one of the most sought-after rock vocalists in Los Angeles in the 1970s,

Delta Lady chronicles Rita Coolidge’s fascinating journey through the ’60s and ’70s pop-rock universe.

A muse to some of the twentieth century’s most influential rock musicians, she broke hearts and broke up bands. Her relationship with drummer Jim Gordon took a violent turn during Cocker’s legendary 1970 Mad Dogs & Englishmen tour; David Crosby maintained that her love triangle with Stills and Graham Nash was the last straw for the group; and her volatile six-year marriage to Kris Kristofferson yielded two Grammys, a daughter, and one of the baby boom generation’s epic love stories. Through it all, her strength, resilience, and inner and outer beauty—along with her strong sense of heritage and devotion to her family—helped her not only to survive but to thrive. Co-written with bestselling author Michael Walker, Delta Lady offers a front-row seat to an iconic era and illuminates the life of an artist whose career has helped shape modern American culture.

“It’s funny how one person’s memory can wake yours up, transporting you instantly to that particular time in your life. The life story of this beautiful, strong, elegant woman takes me back to a happier place in my past and I hope others get the same feeling reading Rita’s story, the story of a life well worth living.”—Graham Nash

“Delta Lady is so intimate, you feel you are in a room with Rita Coolidge as she confides her experiences

as backup singer, songwriter, star—and muse to some of rock’s greatest talents. An extraordinary, moving, and insightful journey through the minefields of musical talent, ego, and glamour.”—Sheila Weller, author of Girls Like Us: Carole King, Joni Mitchell, Carly Simon—and the Journey of a Generation

About the Author

Rita Coolidge is a two-time Grammy Award winner. She began her music career in Memphis before moving to Los Angeles, where she became one of the most popular backup singers in the business, recording with Leon Russell, Joe Cocker, Eric Clapton, Stephen Stills, and other artists. Signed to A&M Records as a solo artist in 1971, she released more than two dozen albums in the years that followed, including the multiplatinum Anytime . . .Anywhere, and continues to record and tour. She lives in Fallbrook, California.



Michael Walker is the bestselling author of Laurel Canyon: The Inside Story of Rock-and-Roll’s Legendary Neighborhood and What You Want Is in the Limo: On the Road with Led Zeppelin, Alice Cooper, and the Who in 1973, the Year the Sixties Died and the Modern Rock Star Was Born. He has written about popular culture for the New York Times and is a contributing editor at the Hollywood Reporter. He lives in Los Angeles.

Most helpful customer reviews

32 of 33 people found the following review helpful.
A sweet trip down memory lane for some of us
By Terry
You have to be of a certain age to fully appreciate Delta Lady, the autobiography of Rita Coolidge. I always adored her music and the recognition she brought to Native American artists but until I read this book, I had no idea how involved she was with all of the music I grew up on.

This book is written in a folksy style. It roughly follows a timeline but there are drifts, just as if she was talking to you across the table. It's more like Ms. Coolidge sat down one day and answered the question "Tell me about your life." And what a life she's had.

From an early age, she was an integral part of the fabric of the music scene in the 60s and 70s, She is a gifted singer and song writer in her own right and she performed with legends like Leon Russell, Joe Cocker, Eric Clapton, Jimi Hendrix, Bob Dylan, Steven Stills, Graham Nash, Delaney & Bonnie and Kris Kristofferson. She was on the renown Mad Dogs and Englishmen tour. Her stories and recollections about her tours and musical collaborations were fascinating to me because they were all my heroes.

It was the 60s and the 70s when Ms. Coolidge was making musical history with so many amazing musicians. She ended up having romantic relationships with quite a few of them and she's fairly open about discussing this in Delta Lady. Some of these relationships profoundly impacted the bands themselves. For example, she had a casual relationship with Steven Stills and then began seeing Graham Nash seriously, which caused so much tension in the band that David Crosby claims it is what broke up Crosby, Stills and Nash.

The book held a number of surprising facts for me, too. Things I didn't know like Leon Russell wrote Song For You (my favorite song of all time), Hummingbird and Delta Lady for Ms. Coolidge. That's how she got the nickname Delta Lady and what inspired the book's title. I also had no idea she helped write Layla (Eric Clapton's famous hit) although she never received public credit for it.

Of course, she covers her tumultuous relationship and marriage to Kris Kristofferson. She is quite candid about the difficult aspects of her relationships and her marriage and divorce and at times it's painful.

She discusses her family and her daughter throughout the book and it serves to give you a better picture of Rita Coolidge, the woman.

This isn't a literary masterpiece but if you lived through or loved the music of the 60s and the 70s, you'll likely enjoy this backstage look at the musicians we loved. If you know nothing about Ms. Coolidge or the music and musicians of that period, this probably won't hold much interest for you. For me, it brought back wonderful memories.

BTW, Ms. Coolidge is now 70 and still performing. If you get a chance to buy some of her music or catch a concert, she's still got the goods.

13 of 13 people found the following review helpful.
Behind the curtains
By Mary M.
There is no one I would rather listen to than Rita Coolidge. I have gone to hear Rita at great venues such as Madison square garden when she was married to Kris, and just about any place she appeared in NYC solo. My favorite was at a Supper club within a hotel on Madison Avenue where In between songs she would stop and tell long stories about the circumstances of the song or the time and place. Rita is a great story teller who kept her audiences captivated and entertained. She was so warm and after the show you could have your picture taken with her and say hello.

Her stories although shorter than those in the book, however, never placed the person she was talking about in a bad light. She would never, as far as I remember criticize somebody else for there off key singing or repeat something they might have said in there darkest hours.
Throughout the book I wondered if this was Rita's voice or Michael walkers voice wanting to spice it up or an editor who thought a certain "tone" would sell more books. If you love Rita like I do you will have to buy the book and read it for yourself, however I think a lot was lost in having a co-author. Do not misunderstand me, the book was a page turner and gave me glimpse into a world that is hard to relate to. I guess it is just the side of Rita Coolidge I never imagined

2 of 2 people found the following review helpful.
then you know how she can tell a tale and how she can make an audience feel like she has come into their home and is sitting ...
By D. L. Coulter
if you know anything about the Delta Lady... then you know how she can tell a tale and how she can make an audience feel like she has come into their home and is sitting talking maybe over tea... its a great/fast read... as each chapter tells of her many experiences with some of rock and roll's greatest characters... it appears to be very honest and from her soul... the story of 'Layla' is something i had heard years ago... and its mentioned in the book 'Skydog' (Duane Allmans biography) but its great to finally hear it from her... WOW that's quite a rip-off for sure... amazing never before seen photos inside as well... and the cover should be made into a poster!!!

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Delta Lady: A Memoir, by Rita Coolidge, Michael Walker PDF

Delta Lady: A Memoir, by Rita Coolidge, Michael Walker PDF

Delta Lady: A Memoir, by Rita Coolidge, Michael Walker PDF
Delta Lady: A Memoir, by Rita Coolidge, Michael Walker PDF