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Raina Sun is cleaning her grandma's house in San Francisco in preparation for Chinese New Year when she finds her deceased grandfather's secret journal. When she loses it in a mugging incident and her grandfather's BFF dies under mysterious circumstances, she is drawn into another murder investigation. She must summon her sleuthing skills to find this skulking killer…

Raining Men and Corpses (Raina Sun #1)
Gusty Lovers and Cadavers (Raina Sun #2)
Breezy Friends and Bodies (Raina Sun #3)
Balmy Darlings and Death (Raina Sun #4)
Sunny Mates and Murders (Raina Sun #5), available December 2016.

• Sales Rank: #122398 in eBooks
• Published on: 2015-12-17
• Released on: 2015-12-17
• Format: Kindle eBook

From the Inside Flap
Excerpt:

The doorbell rang as Raina folded the last of the reusable shopping bags. She hurried to the front door and peered through the peephole. A man in a bicycle helmet held a clipboard. His messenger bag bulged with packages and letters.�

She opened the door. "Can I help you?"

The courier glanced at his clipboard. "Raina Sun?"

Her eyes widened. Was she being served? Who did she piss off recently? "I am she."

He pointed to a blank spot on the form. "Sign here, please."

She signed and was rewarded with a small cardboard box. "Who is this from?"

The courier bounced down the stairs and unlocked his bike. "Check the return address," he called over his shoulder and took off.�

Raina glanced at the smudged return address. She couldn't make out anything other than it was from someone in the city. A sense of d�j� vu settled over her and her stomach flipped with unease. The last time she'd encountered a package from an unknown sender, it had exploded, covering her from head to toe in pink slime.

She closed the door and returned to the kitchen, gingerly placing the package on the island. The lucky cat clock ticked, its little plastic eyes and tail swaying back and forth to the seconds. She took a deep breath. This was not a repeat of the last time. No one was trying to curse her. With a package knife in her hand, she reached for the box.

The phone rang. A loud piercing cha-ling-a-ling.

Raina jumped and dropped the knife. She abandoned the task and picked up the phone. "Hello?"

All she got was a dial tone. If this was a B-rated horror movie, she was determined not to end up playing the dead bimbo. She returned the phone to the cradle. The silence in the kitchen was deafening. No creaking floorboards. No TV in the background. Her stomach churned at the realization that she was in the old Victorian by herself.

Cha-ling-a-ling. Cha-ling-a-ling.�

Raina snatched the phone.� "Hello," she barked into the receiver. "Hello."�

No answer.�

It had to be one of the teenage girls who had a crush on her younger brother prank calling. Her hands shook when she returned the phone to the cradle.

BAM! BAM!�

Raina swiveled her head, glancing at the hallway that led to the front door. The doorknob rattled. Someone was determined to get into the house.

About the Author
Anne R. Tan fell in love with storytelling in elementary school, but decided to study engineering so she could get a "real job." Her day job is her vacation from home and she moonlights as a writer to keep the voices inside her head under control.

Her cozy mysteries feature Raina Sun, a Chinese American amateur sleuth, on the cusp of change in her life. Not only is she dealing with finding love and overcoming family betrayals, she is also solving murders.

If you are interested in learning more about Tan and her writing process, please visit her website at annertan.com. Sign up for her newsletter for exclusive content, new release announcements, and sales.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Loved the book
By B. J.
Loved the book, love the series. My only critique is I wish it had been longer. There are places in all the books where I feel I've missed a few pages or things have been wrapped up too quickly. But they are always fun and exciting.

0 of 0 people found the following review helpful.
Here we go again - Raina Sun seems to attract trouble like a magnet
By Einsam
Raina Sun is visiting San Francisco to celebrate the traditional Chinese New Year with her family.

The night of Raina’s niece’s second birthday, Raina is mugged and her purse is stolen. To top it off, she is almost run over by a BART train, and the next morning her “Uncle Martin” is found dead. Suddenly, Raina finds that she is being followed. The local triad chief and everybody else seems to want something from her. The lead Detective on the case is hounding her for information, as well as a date.

What else could happen? Po Po wants Raina to investigate “Uncle Martin’s” death and to find out what Ah Gong was doing in China in 1962.

This book has believable characters, a complex plot with lots of twists and turns to mimic everyday life. The excitement starts with the first page and leaves you wanting more.

To add even more to the mix, Ms. Tan includes tidbits of Chinese culture.

0 of 0 people found the following review helpful.
Breezy Friends and Bodies by Anne R. Tan Raina ...
By Cindy
Breezy Friends and Bodies by Anne R. Tan

Raina is still in San Frisco helping her grandmother Po Po. she is cleaning out the attic for her clearing out her grandfather's(Ah Gong) things and getting ready for Chinese New Year.

While doing so she comes across Ah Gong's journal. Raina is hoping it will have information about A Gong's secret family. After leaving the party for her niece she is mugged at the BART station and pushed on the rails with the train coming.

What happens next is: murder, the big secret exposed, the Chinese Triad, attempted murder and of course we have Po Po and her stink bombs.

This is the second book that has the reference of Raina becoming a PI. Wonder if this will be her next move. looking forward to the next story by Anne R. Tan

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Like New

• Sales Rank: #4372881 in Books
• Brand: Brand: Lea n Febiger
• Published on: 1987-11
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 361 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

0 of 1 people found the following review helpful.
endo microcopes
By A Customer
TYPES OF MICROCOPES USED TO PERFOME R.C.

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[N706.Ebook] Ebook Free Technical Drawing (11th Edition), by Frederick Ernest Giesecke

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For courses in Engineering Graphics/Technical Drawing and Drafting/Technical Sketching. This authoritative text dominates the market by offering the best coverage of basic graphics principles and an unmatched set of fully machinable working drawings. Its practical, well illustrated, step-by-step explanations of procedures have successfully trained students for 60 years, and continue to appeal to today's visually oriented students.

• Sales Rank: #1685024 in Books
• Published on: 1999-08-26
• Original language: English
• Number of items: 1
• Dimensions: 1.52" h x 8.27" w x 10.32" l,
• Binding: Hardcover
• 827 pages

From the Publisher
Technical Drawing is the authoritative text on drawing and graphics-- its complete coverage has successfully trained students for 60 years and still dominates the market. Technical Drawing has the best set of fully machinable working drawings--now updated to reflect current ANSI standards. The Tenth Edition has been redesigned to appeal to today's visually oriented students, but retains the practical step-by-step explanations of procedures and excellent problems that has made this book so successful in past editions.

From the Inside Flap
Preface

ABOUT THIS BOOK

Over the last sixty years, Technical Drawing has taught well over a million students the practices and techniques of graphical communication. Both instructors and their students have come to depend on this text as the authority on the subject, and most students have used this book as a professional reference long after they have finished taking this course. Why has this book been so successful? First, the main goal of the text has always been to explain each principle so clearly that the student is certain to understand it, and to make the text interesting enough to encourage all students to read and study on their own. Second, this book has also had what are unquestionably the best, most detailed, and accurate set of drawings on the market. A student skilled with this book's drawings will have a full repertoire of graphical skills in his or her hands. Lastly, Technical Drawing continually has sought to address the new technologies and the skills that constantly change this field. By doing so, this text prepares students to enter the marketplace and face the challenges of a rapidly changing playing field.

THE ELEVENTH EDITION

The Eleventh Edition of Technical Drawing continues to offer the best coverage of basic graphics principles available. Edition after edition, this text serves as the authoritative source on the subject. With this new version, we have acted upon the requests of over 30 reviewers to improve certain aspects of the book while preserving its core presentation. In particular, this new volume features:

Greatly increased coverage of the design process in Chapter 14. This chapter now includes coverage of 3D solid modeling, and parametric or constraint-based modeling. Thoroughly revised chapter on manufacturing processes. We especially thank Professor Serope Kalpakjian of the Illinois Institute of Technology and the author of Manufacturing Engineering and Technology for his assistance with this chapter. Over 50 brand new questions /problems. These problems feature parts that come from a variety of industries. Material on Instrumental Drawing and Lettering condensed to one chapter. New coverage of Geometric Dimensioning and Tolerancing. Extensive updating of text graphics to comply to most recent ANSI standards. New "Graphics Spotlights" feature that highlights a particular use of graphics in industry. A decrease in the overall size of the book. Instructors have told us that students are finding books too large. However, they want their students to have access to important reference material. To achieve both these goals, we have eliminated the chapters on Graphs and Diagrams and Alignment Charts included in the last edition, and included them in Adobe pdf format on a free CD. This CD also contains over 30 animations of graphics concepts. Updated web site http-//prenhall /giesecke now includes even more questions for review, as well as a new feature available for January of 2000 that lets professors create their own on-line syllabus. Using a simple interface, instructors build a graphic assignment list and use it to interact with their class over the web. This site also features links to other graphics related areas, a selection of animations available for class instruction or student review, an exploration of VRML technology, a case studies exploring how graphics communication is handled at an engineering company, and more. This site will be a constant resource to help instructors and students remain as current as possible. Eight -Page Color Insert. To give students a feel for how color is often used in CAD software and other technological processes, but without overloading and obscuring the book's core content, we have included an eight-page color insert.

SUPPLEMENTS

INSTRUCTOR'S MANUAL WITH SOLUTIONS/RESOURCE CD

This new manual prepared by Tom Kane of Pueblo Community College includes outlines, teaching tips, extra quiz questions, and other tools designed to aid in class preparation. In addition, this manual comes with a new CD-ROM containing answer files for over 450 Giesecke drawing problems. The problems are in both dwg and dwf form for easy electronic access and display. This CD also includes pdf files of all art in the text for quick integration in course web pages. Instructors have long asked for this supplement and we are happy to provide it with the new edition.

WORKBOOKS

Three workbooks with additional problems are available. These workbooks are fully class tested for effectiveness and relevance to the course. They range from having more traditional problems to more modern approaches. Engineering Drawing, Problem Series 1 (ISBN 0-13658536-1): Contains traditional, mechanical workbook problems. Engineering Drawing, Problem Series 2 (ISBN 0-13658881-6): Contains traditional problems with an emphasis on engineering concepts. Engineering Drawing, Problem Series 3, New 2nd Edition (ISBN - 0-13-025954-3): The new edition of a workbook by Paige Davis and Karen Juneau of the Louisiana State University. This book contains modern problems, as well as an extensive CAD based project, and comes with its own disk of starter CAD files.

WORLDWIDE WEB SITE — prenhall/giasacka - AVAILABLE WITH SYLLABUS BUILDER FOR JANUARY 2000

In order to provide instructors and their students with the most exciting information available, Prentice Hall has created the Giesecke Web Site. This site now includes even more questions for review, as well as a new feature available for January of 2000 that lets professors create their own on-line syllabus. Using a simple interface, instructors build a graphic assignment list and use it to interact with their class over the web. This site features links to other graphics related areas, a selection of animations available for class instruction or student review, an exploration of VRML technology, a case study exploring how graphics communication is handled at an engineering company, and more. We hope it will be a constant resource to help instructors and students remain as current as possible.

PRENTICE HALL NEW YORK TIMES SUPPLEMENT

A bi-annual, free collection of articles excerpted from The New York Times covers areas of interest to freshman engineers and drafting students. Contact your Prentice Hall sales rep for a free supply of these supplements.

BUNDLES

To make the cost of purchasing several books for one course more manageable for students, Prentice Hall offers discounts when you purchase this book with several other Prentice Hall textbooks. Discounts range from up to 20% off the price of the two books purchased separately. At press time, you may bundle this text for discounts with several of our CAD books, including our new AutoCAD 2000 titles Discovering AutoCAD 2000 by Dix/Riley, and AutoCAD 2000 — One Step at a Time (either the Basics or Advanced version) by Timothy Sean Sykes. You may also bundle this book with several books based on older releases of AutoCAD. Users of Pro/ENGINEER, I-DEAS, or SolidWorks may choose to bundle with books by Robert Rizza, Sheryl Sorby, or Robert Lueptow. To request more specific and up-to-date pricing information, get ISBN's for ordering bundles, and learn more about Prentice Hall's offerings in graphics and CAD, either contact your Prentice Hall Sales Rep, or go to prenhall/cadgraphics/. For the name and number of your sales rep, please contact Prentice Hall Faculty Services at 1-800-526-0485.

From the Back Cover

In particular, the new edition features: * Greatly increased coverage of design process in chapter 14. This chapter now includes coverage of 3-D Solid modeling, and parametric or constraint based modeling
* Thoroughly revised chapter on manufacturing processes
* Over 50 new problems
* Material on Instrumental Drawing and Lettering condensed to one chapter
* New coverage of Geometric Dimensioning and Tolerancing
* Extensive updating of text graphics to comply to most recent ANSI standards
* New "Graphics Spotlights" feature that highlights a particular use of graphics in industry
* Decrease in overall size of book — Free CD contains eliminated chapters on Graphs and Diagrams and Alignment Charts as well as over 40 animations of graphics concepts
* Updated web site prenhall/giesecke includes even more questions for review
* New Instructors supplements — Instructor's Manual by Tom Kane includes teaching tips and extra quiz questions, as well as a new CD-ROM with answer files for cover 450 Giesecke drawing problems. The problems are in both dwg and dwf form for easy electronic access and display. This CD also includes pdf files of all art in the text for quick integration in course web pages.
Prentice Hall publishes a broad range of Graphics and CAD books available at a discount when bundled with this text. Please consult the preface of this text, your Prentice Hall Sales rep, OR GO TO prenhall/cadgraphics/ for more information.

Most helpful customer reviews

0 of 0 people found the following review helpful.
... to do with the book - it came in great condition - my problem was I ordered two books ...
By Joey Tilelli
This rating doesn't have anything to do with the book - it came in great condition - my problem was I ordered two books and only got one. Understanding things can get mixed up in transit (or whatever), I waited a month or so before sending an email asking about the book. I was hoping to get a quick response but never got one (I think?). It is what it is. Anyway, this is an awesome book for anybody looking for an introduction to drafting standards/methods; I highly recommend it to anyone who is serious about a starting position in the technical/mechanical drafting field. The book offers a lot of great visualization exercises that involve different follow-along practice methods for complex modeling.

2 of 2 people found the following review helpful.
Not real happy
By Mike M
The book arrived on time and for that I have no problem, the shipping service worked great. My unhappyness results from the book not being complete. During a recent classroom session we were directed to turn to the appendix, imagine my dismay when the appendix was not in the book. A further review of the book revealed several of the photos were not present and in place of the photo "FPO" in place of the graphics.

0 of 0 people found the following review helpful.
Good book for self teaching.
By zvanaernum
Book came as advertised, in good condition. The text will be a good way to self teach technical drawing.

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This book benefits users, manufacturers and engineers by drawing together an overall view of the technology. It attempts to give the reader an appreciation of the extent to which slurry transport is presently employed, the theoretical basis for pipeline design, the practicalities of design and new developments.

• Sales Rank: #6996007 in Books
• Brand: Brand: CRC Press
• Published on: 1998-04-02
• Original language: English
• Dimensions: 8.75" h x 6.00" w x 1.00" l, 1.25 pounds
• Binding: Hardcover
• 319 pages

Features

• Used Book in Good Condition

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0 of 2 people found the following review helpful.
Excellen book for technical design and reference
By Alfredo Rivas Rodriguez
This book is really good, it is focused in a very practical way, aboarding almost every kind of design problems in slurry systems. It also have many refernces for further consulting.

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[V973.Ebook] Get Free Ebook Fireforce: One Man's War in The Rhodesian Light Infantry, by Chris Cocks

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The horror of guerrilla warfare in Africa Fireforce is the compelling, brutal but true account of Chris Cocks’s service in 3 Commando, The Rhodesian Light Infantry, during Zimbabwe’s bitter civil war of the ’70s—a war that came to be known almost innocuously as ‘the bush war’. ‘Fireforce’, a tactic of total airborne envelopment, was developed and perfected by the RLI, together with the Selous Scouts and the Rhodesian Air Force. Fireforce became the principal strike weapon of the beleaguered Rhodesian forces in their struggle against the overwhelming tide of the Communist-trained and -equipped ZANLA and ZIPRA guerrillas. The combat strain on a fighting soldier was almost unbelievable, for the Rhodesians, who were always desperately short of ground troops, were sometimes obliged to parachute the same men into action into as many as three enemy contacts a day. While estimates of enemy casualties vary, there seems little doubt that the RLI accounted for at least 12,000 ZANLA and ZIPRA guerrillas—but not without cost. Fireforce is not for the squeamish. Although it has been written with unforgettable pathos and humour, it tells of face-to-face combat in the bush and death at point-blank range. It is a book which does nothing to glorify or glamorize war, for as Chris Cocks found at such a young age, war is merely a catalogue of suffering, destruction and death. Fireforce has been described by critics as being to the Rhodesian War what All Quiet On The Western Front was to World War I and Dispatches was to Vietnam. Read it … it will be an experience you never forget. Chris Cocks lives in Johannesburg. This is the fourth edition of Fireforce. He is a partner in the South African Publishing house, 30� South Publishers. Cocks is also the author of Out of Action and co-author of The Saints—The Rhodesian Light Infantry.

• Sales Rank: #324738 in eBooks
• Published on: 2012-10-01
• Released on: 2012-10-01
• Format: Kindle eBook

Review
'Fireforce' will be to the Rhodesian War what Remarque's 'All Quiet on the Western Front' was to WWI. --Jim Mitchell, The Star

Of the many books that are appearing dealing with Rhodesia and the war years, this is probably the best. --Armed Forces South Africa

About the Author
CHRIS COCKS was born in Salisbury, Rhodesia in 1957 and served three years and 28 days as a combat NCO with 3 Commando, the Rhodesian Light Infantry (the RLI, an airborne/airmobile unit), from 1976 to 1979. He was then offered a farming job in the country’s Lowveld; however, the army refused to countenance a waiver of call-ups, so he attested into the British South Africa Police and spent the remaining 14 months of the bush war as a PATU (Police Anti-Terrorist Unit) stick leader and avoiding the Military Police. He moved to Johannesburg in 1996 and stumbled into a publishing career, specializing in southern African military history. He has written four books: the bestselling Fireforce: One Man’s War in the Rhodesian Light Infantry, its sequel Out of Action, a steamy novel Cyclone Blues, and co-wrote The Saints, the RLI’s history. He is the historian for The Rhodesian Light Infantry Regimental Association and edits its magazine, The Cheetah.

Most helpful customer reviews

39 of 41 people found the following review helpful.
Fireforce ROCKS!!!
By HBHCFSU
This is a great book, written by a guy who has more combat jumps than ANYONE in the US or UK military (well, that's unsubstanitated...but I'm pretty sure.) The book's about a conscript who signs on to become a regular in the Rhodesian Security Forces, Rhodesian Light Infantry. These guys jumped in combat several times a week. The American Paratroopers who had the most jumps in WW2 had maybe 5 combat jumps. The author had close to 40. I cannot say enought good things about this book. It's well written and easy to read. Very informative and full of good information. I'm reading these books to get insight on how to win against guerillas. The Rhodesians won militarily, but lost due to politics. It's the typical story of how the military does the right thing, fights well and wins, but is held back by gutless politicians. OK enough rant from me. The book is good. Lots of action, lots of detail. I'm not a professional reviewer (as if you couldn't tell), but this book was great! One of those that I didn't want to be over! The only better book I've read on the Rhodesian Bush War is At The Going Down Of The Sun, by Charlie Warren, another trooper that served with the author in the same unit. Both books are good and highly reccomended.

19 of 21 people found the following review helpful.
Right on it.
By The Fyrd
Story of a time when the world looked the other way and a lot of good people got s*****d over by Politicians, as usual. This is the inside detail of one of the finest Regiments ever to exist.
Spot on Chris, could see the barracks gates again and, almost smell it.
Good job.

14 of 16 people found the following review helpful.
Super Book, Lots of Good Gouge
By One of Marius' Mules
"Fireforce" is probably the best known and most widely read book to come out of Rhodesia's Bush War. This is in fact the fourth edition from 2006 and it's just a super read. Another personal narrative, this one is also written from the stick leader/section leader point of view. That being said, the author provided plenty of background information so the reader can see the bigger picture. Some of the things I appreciated about the book: 1. There are tons of photographs scattered throughout including two color photograph sections, 2. It has a good map and a good index, 3. Several interesting appendices for you to peruse including an operations order reproduced in its entirety, 4. A chapter on uniforms, comms, weapons, and equipment (both Rhodie and terr) and 5. Pencil sketches at the beginning of each chapter. This is not "zap-blat-gott-in-himmel-bayonet-in-the-guts" braggadocio of a former RLI soldier, it's solid (that goes for Charlie Warren's book too). I highly recommend it, it's a must read.

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[F387.Ebook] Free PDF An Empire of Their Own: How the Jews Invented Hollywood, by Neal Gabler

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Winner of the Los Angeles Times Book Award for history, this "wonderful history of the golden age of the movie moguls" (Chicago Tribune ) is a provocative, original, and richly entertaining group biography of the Jewish immigrants who were the moving forces behind the creation of America's motion picture industry.

• Sales Rank: #146105 in Books
• Published on: 1989-09-08
• Released on: 1989-08-08
• Original language: English
• Number of items: 1
• Dimensions: 7.98" h x 1.17" w x 5.18" l, .94 pounds
• Binding: Paperback
• 512 pages

Amazon.com Review
That subtitle may inspire in some readers waves of ethnic pride, and in others waves of ethnic revulsion, but the point of this book is that its claim of origin is quite literally true. And what makes it an interesting read for political types is the way it demonstrates that no matter how much the founding Hollywood moguls and their successors tried to peddle an idealized, escapist form of entertainment, bubbling up under and around their every project was ideology, racism, ethnic prejudice, class friction, domestic and international politics and all the other raw, seething stuff that distinguishes this country from all others. In Gabler's hands, the Industry draws a picture of American political history in spite of itself.

From Publishers Weekly
The author presents "an entertaining, wide-ranging, in-depth account" of the Jewish studio executives, theater owners, producers, writers, lawyers and talent agents who dominated the American film industry until shortly after WW II. "Gabler vividly recreates a way of life now gone forever," commented PW. Photos.
Copyright 1989 Reed Business Information, Inc.

From Library Journal
Gabler has written a thoroughly researched history of the early Hollywood film industry and the men who ran it. Coming from similar humble Eastern European and Jewish backgrounds, Fox, Laemmle, Meyer, Zukor, and the Warner brothers shared an overwhelming desire to achieve wealth and status in their new country. Finding barriers to success through traditional means, they gravitated to the fledging film industry where they "could simply create a new countryan empire of their own, so to speakone where they would not only be admitted, but would govern as well." Gabler documents the consequences of their quest and the tragic results that followed. Recommended for large film collections. Robert Logsdon, Indiana State Lib . , Indianapolis
Copyright 1988 Reed Business Information, Inc.

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92 of 101 people found the following review helpful.
A fascinating group biography of Hollywood's founding moguls
By Robert Moore
Neal Gabler explores the fascinating question of how Hollywood was created primarily by a remarkable group of men who fit into a remarkably small demographic: European Jewish immigrants, most of them poor, most of them from Manhattan's lower east side, none of them practicing Jews, most of them from families with weak father figures. But together they moved to an almost completely protestant city and created the most successful form of popular entertainment in America, presenting an idealized version of American life for a nation in a constant for new national myths. The most fascinating thing about the book is the gap between the mythical world that they were presenting and their own backgrounds. For Louis B. Mayer, Andy Hardy's America was for him the real America, an America where there were strong nuclear families headed by strong fathers, doting neo-Victorian mothers, and obedient, respectful children. Economically most people were Middle Class, the tenor distinctively Middle American, and almost always Christian. Gabler argues that for most of these men, what they provided was not America as it existed, but the America that they wanted to be a part of.

Almost all of the major studios were founded by men who more or less fit Gabler's description. There are a number of major and minor characters in Gabler's story, the most prominent being Adolph Zukor, who was instrumental in creating Paramount; Carl Laemmle, founder of Universal; William Fox of Fox Pictures, which later merged with Twentieth Century; Louis B. Mayer, who built MGM into Hollywood's largest studio; Harry and Jack Warner of Warner Brothers; and the belligerent Harry Cohn of Columbia. There are in addition a number of crucial supporting characters, none more important than the legendary Irving Thalberg (I knew very slightly Thalberg's son, also Irving, an academic philosopher who spent his career in Chicago and who quietly funded liberal political causes--he paid for the Chicago Seven's legal bills at their trial--while quietly pursuing his university career), the inspiration for F. Scott Fitzgerald's last novel THE LAST TYCOON. We also meet the Schenck brothers, Nicholas and Joseph, the Rabbi of Hollywood Edgar F. Magnin, theater chain owner Marcus Loew, and an uncountable number of smaller figures.

One of the most striking aspects of the biography is how utterly these men suppressed their Jewish backgrounds in their films. Although THE JAZZ SINGER is the story of the son of a Jewish son rejecting the culture of his cantor father (Gabler points out that the son's story was also the story of the moguls), the vast majority of movies produced by Hollywood in the twenties, thirties, and forties contained no identifiably Jewish characters. Although an astonishing number of the people producing the movies were Jewish, it was as if they felt compelled to completely erase Jews from their idealization of American life. The was more than mere assimilationist aspirations; it was as if they were trying to expunge the weak fathers of their youths, the poverty they knew growing up, and become a part of a nation that largely rejected them. For two or three decades, at least, they could maintain this myth, but in the forties and the HUAC committee of the U.S. House of Representatives they found their fiefdom increasingly under attack for the industry's supposed inculcation of un-American (i.e., Communist) values. Many of their attackers persisted in the fascist depiction of Communism as an essentially Jewish cast of thought (in Hitler's writings there is no clear distinction between Jews and Communists, and at least one part of his motivation in attacking Russia was to attack what he weirdly considered a Jewish nation).

This is not a perfect book. For one thing, the scope is simply too large for any one book to undertake. And inevitably there are either serious omissions or details that don't quite tell the whole story. For instance, Gabler attempts to characterize the more plebian tendencies at Warner's by mentioning that one of their stars was Rin Tin Tin, which seems to hint at how far down the ladder they were in the Hollywood pecking order, but failing to note that for most of his life Rin Tin Tin was the number one box office star in Hollywood. Also, there is amazingly little discussion of the many Jewish performers in Hollywood. Some are mentioned in passing (such as Groucho Marx, noting his famous reply to the attempt by the Jewish country club Hillcrest to recruit new members following the stock market crash, that he wouldn't want to be a member of a club that would accept someone like him as a member), and Edward G. Robinson gets a few mentions, but for the most part actors are ignored. This is overwhelmingly a book about the top brass. And one can take issue with some minor depictions, such as the long discussion of the nature of Universal in the thirties, but no mention of the man who is most responsible for the visual look of those films and the director of all their major achievements, James Whale. The implication is that the distinctive look of Universal films was not determined by the former art director Whale. But this is all nitpicking.

I do have to take strong issue with one of the current featured reviews that criticizes the book because he believes that the American depicted in the movies was very much the America he knew in the forties and fifties. First, the book deals mainly with America in the twenties and thirties, a bit less with the forties, and the fifties almost not at all, so the time framework of his criticism is off. Second, how can anyone argue that the movies were not an idealization if one knows any American history at all? Certainly the poverty that my parents and grandparents knew growing up in Arkansas during those decades was almost completely ignored, THE GRAPES OF WRATH aside (and the subject of that film were very much my people). Any informed demographic study of the period will show that the depiction of women in the films was wildly out of kilter with the actual lives of women, many of whom had to take jobs even in the thirties, forties, and fifties to enable families to make it financially (the fifties is the only decade in American history of which the so-called traditional American family is even somewhat true). And Hollywood films of the period are notorious today for their depiction of race relations. Anyone stating that the Hollywood film in any conceivable sense depicted America as it really existed beggars credulity.

I strongly recommend this book to anyone either interested in the history of the movie industry or how immigrants sought to integrate themselves in their new nation. The book contains a wealth of information and I can't imagine anyone know coming away from it not merely entertained but better informed.

0 of 0 people found the following review helpful.
Because
By Kindle Customer
Because it is a very enjoyable book to scan the early begins of cenima
He told us this as a story swifting between the author point view and characters themselves

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
excellent

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In the early 1970s, the Council for Mutual Economic Assistance (CMEA) began to revise its trade policy towards the outside world. It needed to counter the European Community’s bid to implement its Common Commercial Policy and thereby change East-West trade practices. Foreign trade priorities became at once a crucial issue on the socialist countries’ political agenda. The key question was whether they would have to open their system to the global economy – and bear the consequent pressures and competition that this decision entailed. Based on newly declassified archival sources, this study shows how the East European states were able to lobby their positions towards the USSR within the CMEA. The pressure from its allies forced the Soviet leadership to accept the CMEA’s opening towards the EC.

• Sales Rank: #3764532 in Books
• Published on: 2014-03-27
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x 6.00" w x .75" l, .0 pounds
• Binding: Hardcover
• 224 pages

About the Author
Suvi Kansikas received her doctorate at the University of Helsinki. Currently she is a researcher at the Academy of Finland’s Centre of Excellence Choices of Russian Modernisation at the Aleksanteri Institute, University of Helsinki.

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